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Structure Of The Fugue Exposition

Referencing Styles : Harvard | Pages : 1

Fugue is one of the contrapuntal compositional technique in more than two voices which has been built on a subject which has been introduced at the time of beginning in imitation and it recurs frequently in the composition related course. In the terms of music, the fugue is the compositional process in which it has been characterized by systematic imitation of the principal theme in the simultaneously sounding melodic lines and the term fugue has been utilised to describe the work or the part of the work in a proper manner.

Moreover, the fugue starts with the exposition of the subject in one of the voices alone in the tonic related key and after the overall contraction of the subject. In order to make the music run smoothly, it can be altered in a slight manner and the simple kind of fugue has only one subject and it does not utilise the invertible counterpart as well. In addition, fugue is considered to be the contrapuntal composition related to music whose basic structure consists of the theme or themes which have been stated successfully and successively in the various voices.

For instance- There are different examples of fugues and the most famous composer of fugues is J.S Bach wherein in “The Art of Fugue” by Bach is one of the suitable examples which can be considered to be the suitable example as it will be enhancing the overall effectiveness of the concept of fugue. The work of Bach stand at pinnacle of history of fugue and the figures of Bach remain unsurpassed in the extraordinary variety and in the individual related perception as well.

A fugue begins properly with the exposition of the subject in one of the major voices alone in the tonic related key and after the statement of the subject, the second voice enters and helps in stating the subject with the subject which has been transposed to another key. The initial section of fugue wherein each voice helps in presenting the subject in turn either in the original or the answer form which is considered to be the exposition aspect. In the respective aspect, the subject has been presented as many times as there are voices confined in the fugue. Moreover, in order to analyse, the first two entering voices properly sound like closely associated pair and they are associated generally and registrally close to one another.

Occasionally, there can be different scenarios wherein exposition contains one extra entry which is known as redundant entry and the second exposition is defined as the counter exposition. The main aspect of exposition is that it particularly curious in nature as the answer does not even end in dominant and it begins with dominant and then modulates back to the tonic, which will be helpful and allowing the third party to easily begun in the right manner. The exposition mostly concludes when the different voices have given a proper statement of the subject or the answer. In some of the figures, exposition will be ending with the redundant entry or the extra presentation of the theme.

The major difference between canon and fugue is the fact that in canon, the voices are much more dependent on each other, which means generally imitating one another exactly throughout entire piece. On the other hand, the fugue is free in nature in the counterpart and in fugue, the first major entrance of the second voice is not identical with the first stanza of the same. However, it is transposed to the dominant which may means that the intervals are not always exactly the same ones. In addition, canon is the aspect wherein the voices do not set in on the same kind of note, moreover the original contour of the voice is usually not being changed regardless of wherein it has been sets in. Fugue is the contrapuntal piece in which the particular melody is played a number of times and voices and each of the voice has been introduced in turn by playing the melody.

In addition, the canon is defined as the piece of voices that sing or play the same kind of music that starts at different point of times and the round if type of canon, however in case of round, when it is finished, it can start at beginning again so that the piece can go around and round. An accomplished canon is the one which is accompanied by one or more additional kinds of independent parts which do not imitate the melody. A double kind of canon is the composition which unfolds two different canons in a simultaneous manner.

Furthermore, a fugue is the contrapuntal composition in general with more than four voices which are included in the same. In some of the canons, the leader melody has been transposed when it has been imitated and these are known as interval canons and in a canon by inversion, the follower moves in the contrary motion to the respective leader. For instance- When the leader goes up third, the follower will be going down a third and vice-versa. In such scenarios, the music is first played and then it is imitated which will be done after a short type of delay.

In case of fugue, the first section is exposition in which the subject is being stated and the principal theme or the main kind of idea is present in the first statement of the subject which is sung usually by the single voice. In the music, the fugue is the aspect which is being introduced at the very beginning in imitation and it can recur frequently in the course of composition. The fugue techniques can be helpful in producing music of great complexity and interest, although the different ingredients of fugue are relatively few and the different procedures are straightforward wherein the exposition will be considered the most vital aspect.

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