The answer is both Islamic and Christianity.
Illuminated manuscripts are handwritten books that are engraved in gold and silver texts. These manuscripts were used in Islamic and Christianity practices. At first, monks and abbeys were the creators of such manuscripts.
But later, these manuscripts were used for commercial purposes.
Illuminated manuscripts were richly embellished between the 5th and 16th centuries (Middle Ages) in Europe. Artists used several unique designs to make it a standard version.
The elaborate decorations and pictures were carefully hand-painted onto the pages of manuscripts by experienced artisans using a variety of colors and gold leaf. Usually ordered by wealthy benefactors or religious organizations, illuminated manuscripts were utilized largely for religious purposes.
Despite having a relatively small history of manufacturing illuminated manuscripts, the United States has a long legacy of producing religious art and books. Christianity and Judaism are two religions that have traditionally created illuminated manuscripts.
With over a thousand years of dominance in Europe and the Western world, Christianity has a long history of illuminated manuscripts. Between the fifth and sixteenth centuries, Christian illuminated manuscripts focused on sacred literature pieces, including the Bible, psalters, and books of hours.
Convents had to spend years painstakingly handcrafting each page of the illuminated Christian manuscripts using various methods, including gilding, painting, and calligraphy, to exalt God and stir the faithful's devotion.
Small illustrations, unique borders, and calligraphies are all included within these manuscripts.
The initial illuminated manuscripts were discovered to highlight the culture. The popularity of manuscripts peaked in medieval Europe. Scriptoria was the prime creator behind inventing the illustrated texts. Bibles, liturgical writings, etc., were produced at a scriptorium back then.
The Book of Hours was the most popular example of illustrated manuscripts in the Christian community in the 10th century. The number of these particular manuscripts has survived for a long time since the invention. In addition, printing has allowed for the ongoing production of illuminated manuscripts. In 1440 CE, Johannes Gutenberg created the printing press.
Illuminated manuscripts gave us a view into the early modern and medieval Islamic lifestyle. While paintings frequently depict books as being consumed outdoors, architecture may shed light on how manuscripts are experienced indoors.
The Arabic script generally utilizes capital letters, including all shapes and sizes. The usage of these letters makes the illuminated manuscripts more embellished. Islamic tradition majorly depends on geometric designs, floral concepts, and textual patterns. The artisans established these designs because they followed the guidelines of Prophet Mohammad, where idol worshipping is strictly prohibited.
This is seen as forbidding the use of human and animal forms in literature, textiles, and architecture. Islamic manuscripts with illustrations and calligraphy have long been highly esteemed.
The Arabic language was used to communicate the Qur'an, which is the word of God, as it came to light to the Prophet Muhammad. Huffaz - those who had memorized and recited the entire Qur'an - was the first to transmit it verbally. But in the seventh century, the caliph Abu Bakr started producing Quranic manuscripts.
It didn't take long for aesthetic factors to take the front stage. The Arabic script is ideal for calligraphic embellishment because it has a wide variety of letters that can be altered in size and shape.
According to the Islamic tradition, manuscript illumination involves coating books' surfaces with shiny materials. The binding, the support (paper, parchment), and the edges of the support are examples of these surfaces.
Although gold is most frequently linked with illumination, other metals, such as silver and tin, are also used to produce shine. They use the word "gold" as a shorthand, but the substance was a liquid gold or alloy that could be molded to different surfaces and had a range of colors.
This substance can be poked, painted, scattered, flattened, and flattened again to produce various effects on a support's surface.
Islamic artisans used illumination everywhere on the page.
The artists utilized edges, borders, line rulings, etc. They even use the edges of a particular page to illuminate.
Many illuminated manuscripts come from the 13th and 14th centuries, which helps to put their extraordinary age into perspective. They were made before Michelangelo's "David" and Leonardo da Vinci's "Mona Lisa," both produced in the first half of the 16th century.
It might be incredible that these delicate sheets have survived all these years intact. Because the sheets are composed of vellum, an animal-skin-based paper, and the paints are made of plant-based materials, they are prone to deterioration if not taken care of.
Illuminated manuscripts may represent the only remaining examples of art from particular regions and eras.
Before the printing machine was invented (about 1455), books were written and adorned by hand, which is how illuminated manuscripts were produced. It implies that each page is a distinctive work of art.
Ans: These are handwritten books introduced in Middle Ages. These manuscripts are engraved with gold and silver.
Ans: The Christian monks and the Popes. In Islamic culture, expert artisans are the main creators of illuminated manuscripts.
Ans: The manuscripts were engraved with gold designs, fancy writing, and decorative images. These make the manuscript more attractive and expensive as well.
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