Oresteia Essay
Oresteia is considered to be the trilogy of the tragic drama which was written by Aeschylus who was an ancient Greek dramatist which for performed during the 458 BCE. This is considered to be the last work of Aeschylus and is considered to be among the only trilogy of the Greek dramas which has been complete and has survived.
This Greek drama tells us the story about the house of Atreus. In the first play, it can be seen that Agamemnon helps shows the return of the king from Trojan War and his own murder by his wife who was named Clytemnestra and her lover who was called Aegisthus. At the end of the play, it can be seen that Clytemnestra and Aegisthus together rule Argos. This work is seen to have poetic, sustained dramatics and extraordinary power. The thing which is notable in this trilogy is the fascinating richness of the deceitful words as well as the choral songs by Clytemnestra which is seen to raise in the metaphorical and even enigmatic terms the important and major themes of politics, blood relationships and theology which is seen to be elaborated throughout all the trilogy.
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The name of the second play is said to be Choephoroi. The play takes the title from all the chorus of the servants who were women who had come to pour the propitiatory offering at the tomb of Agamemnon who was brutally murdered. This second play is seen to provide all the details about the revenge of the daughter of Agamemnon whose name is Electra and the son Orestes essay. It can be seen here is the fact that both the siblings come together, invoke aid of the already dead Agmemnon in the plans which they have come up with. Orestes is seen to slay Aegisthus, however, it can be seen that the murder of Clytemnestra which Orestes commits is done reluctantly at the Apollo’s bidding which was not planned from before in any which manner. It can be seen that Orestes attempts to provide a self-justification however is seen to falter later and then flees. He is mad and is very guilty and is then pursued by female incarnations of the curse of his own mother who was named Furies.
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The name of the third play is Eumenides which is seen to open at Delphi at the shrine of the Apollo, where Orestes had taken his sanctuary from the Furies. It is the command at the Delphic oracle that Orestes prepares for his journey to go to Athens in order to stand the trial for all is matricide. It is their goddess, which is Athena who had organized a trial along with many jury of the citizens. The Furies are considered to be his accusers and Apollo was his advocate. The play suggests that the jury had been divided in an even manner in their vote and the vote which was tie-breaking was casted by Athena for the acquittal of Orestes. This is when the Furies are seen to turn all the vengeful resentment they had against the entire city however it is Athena who helps in persuading them and in return for cult and house and to bless Athens and later reside in that place as Eumenides which means a kind goddess. This trilogy is seen to finally end with cycle of retributive bloodshed closed as well as supplanted by the justice and the rule of law of the state.
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List Of Few Topics On Oresteia Essay
- The role of justice and revenge in the Oresteia
- The role of the gods in the Oresteia
- The portrayal of gender in the Oresteia
- The theme of power and authority in the Oresteia
- The portrayal of the family in the Oresteia
- The portrayal of war and conflict in the Oresteia
- The use of foreshadowing in the Oresteia
- The portrayal of the cycle of violence in the Oresteia
- The portrayal of trauma and its effects in the Oresteia
- The use of imagery and symbolism in the Oresteia
- The portrayal of the role of fate in the Oresteia
- The portrayal of the relationship between justice and law in the Oresteia
- The portrayal of the relationship between morality and justice in the Oresteia
- The portrayal of the psychological states of the characters in the Oresteia
- The portrayal of the role of tradition and cultural practices in the Oresteia
- The portrayal of the role of gender and sexuality in the Oresteia
- The portrayal of the relationship between justice and mercy in the Oresteia
- The portrayal of the role of the chorus in the Oresteia
- The portrayal of the role of memory and history in the Oresteia
- The portrayal of the relationship between justice and truth in the Oresteia
- The portrayal of the relationship between justice and punishment in the Oresteia
- The portrayal of the relationship between justice and fairness in the Oresteia
- The portrayal of the role of justice in shaping society in the Oresteia
- The portrayal of the role of the legal system in the Oresteia
- The portrayed of the role of the court and trial in the Oresteia
- The portrayal of the relationship between justice and power in the Oresteia
- The portrayal of the role of forgiveness in the Oresteia
- The portrayal of the role of reconciliation in the Oresteia
- The portrayed of the role of the law in the Oresteia
- The portrayed of the role of the state in the Oresteia
- The portrayed of the role of the community in the Oresteia
- The portrayed of the role of the individual in the Oresteia
- The portrayed of the relationship between justice and revenge in the Orest
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