The Coming of The Masses

The Crisis Europe is Facing

There is one fact which, whether for good or ill, is of utmost importance in the public life of Europe at the present moment. This fact is the accession of the masses to complete social power. As the masses, by definition, neither should nor can direct their own personal existence, and still less rule society in general, this fact means that actually Europe is suffering from the greatest crisis that can afflict peoples, nations, and civilisation. Such a crisis has occurred more than once in history. Its characteristics and its consequences are well known. So also is its name. It is called the rebellion of the masses. In order to understand this formidable fact, it is important from the start to avoid giving to the words“rebellion,” “masses,” and “social power” a meaning exclusively or primarily political. Public life is not solely political, but equally, a nd even primarily, intellectual, moral, economic, religious; it comprises all our collective habits, including our fashions both of dress and of amusement.

Perhaps the best line of approach to this historical phenomenon may be found by turning our attention to a visual experience, stressing one aspect of our epoch which is plain to our very eyes. This fact is quite simple to enunciate, though not so to analyse. I shall call it the fact of agglomeration, of “plenitude.” Towns are full of people, houses full of tenants, hotels full of guests, trains full of travellers, cafes full of customers, parks full of promenaders,
consulting-rooms of famous doctors fun of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room. That is all. Can there be any fact simpler, more patent more constant in actual life? Let us now pierce the plain surface of this observation and we shall be surprised to see how there wells forth an unexpected spring in which the white light of day, of our actual day, is broken up into its rich chromatic content.

What is it that we see, and the sight of which causes us so much surprise? We see the multitude, as such, in possession of the places and the instruments created by civilisation. The slightest reflection will then make us surprised at our own surprise. What about it? Is this not the ideal state of things? The theatre has seats to be occupied- in other words, so that the house may be fulland now they are overflowing; people anxious to use them are left 6 standing outside. Though the fact be quite logical and natural, we cannot but recognise that this did not happen before and that now it does; consequently, there has been a change, an innovation, which justifies, at least for the first moment, our surprise. To be surprised, to wonder, is to begin to understand. This is the sport, the luxury, special to the intellectual man.

The gesture characteristic of his tribe consists in looking at the world with eyes wide open in wonder. Everything in the world is strange and marvellous to well-open eyes. This faculty of wonder is the delight refused to your football “fan,” and, on the other hand, is the one which leads the intellectual man through life in the perpetual ecstasy of the visionary. His special attribute is the wonder of the eyes. Hence it was that the ancients gave Minerva her owl, the bird with ever-dazzled eyes.