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Illuminating Renaissance Obscurities

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Question: Discuss about the Illuminating Renaissance Obscurities.     Answer: Introduction Music was an indispensable part of religious, civic, and courtly life in the Renaissance (1400-1600). The change and interchange of rich ideas in Europe, including political, economic, as well as, religious events led to the development of new music composing ideas and styles. Major changes were observed in the methods, styles, and composing of publicized music, distinct music genres, and the development of musical instruments. Composers moved away from biblical, numerical, complicated, academic and symbolism elitism into immediacy and simplicity for the mass enjoyment. Before the music was considered for the rich patrons of Northern Italian Court, but the new music was for masses to understand. The most important music that was composed in the early Renaissance was for the use of churches. Polyphonic Masses which was made from several simultaneous melodies and motets which were for the important churches and court chapels. However, by the end of the sixteenth-century patronage was divided into many areas like Protestant churches, Catholic churches, and courts. This was the era which gave importance to the music instruments and the instrumental music. Instrumental music and instrument before this era were just a part of singing, but this era gave identification to the instrumental music, and it became famous. This essay throws light on the changes that happened, what were the reasons and how they happened. This will give an idea about the Renaissance music and the changes that took place in that time in the music and poetic taste of Northern Italian Courts.   The change that came in the Renaissance period Vocal music was considered as the king of music before the Renaissance, but the instrumental music came to a rise in the 16th century. The composers of Renaissance period wrote music to vitalize the emotion and meaning of the text. They often referred musical representation of specific human emotions as a painting.  In the Renaissance period, most of the music was played and sung from memory of the performers, due to that little vocal music survived. Instrumental music was easy to change into notification and was kept safe in text form. This attracted performers towards the instrumental music. The Renaissance Courts of Northern Italy were the wealthiest and most sophisticated courts of Europe that attracted innovative performers and artists who created pieces of remarkable beauty. The performers used to come and perform in the courts which gave artists favourable contracts and social prestige. Their performance was displayed lavishly and given elite status. People with innovative music used to come and perform in the courts which increased the importance of instrumental music. Before Renaissance period the music was limited to the elite class only, but in the Renaissance period music became for masses. From churches, the music moved to the courts. For educated people, knowledge of music was considered important. It became a part of every household. Renaissance means rebirth, and it is not wrong to say that this era gave rebirth to instrumental music. The statement is justified by Donald McComb and M Todd as they says that with the time the instrumental music began to survive in large quantities; especially the vocal works were transpired into instrumental forms for example, Buxheimer Orgelbuch (c.1450-c.1470). He also specifies that many instruments were brought into use in the Renaissance time like organ, harpsichord and clavichord that appeared in the 15th century, modern instruments like Alta Capella and Bassa Capella, and folk instruments like Shawns, Bagpipes, and Trumpets became common. The change was observed from the early Renaissance period as the famous writer John Aravosis says in his article that the performers and artists gradually dropped using the complex devices of isorhythm and extreme syncopation which resulted in more flowing and limpid style of music. He says that though the rhythmic complexity was lost from the music, it gained the rhythmic vitality, which developed as the prominent feature of mid-century. Next change was experienced in the middle of the Renaissance era that was between the years 1437-1564. According to Elroy Nazareth, with the end of the fifteenth century, once again complexity was found in the polyphonic sacred music. It was compared with the painting with stunning details in that time. Then again in the early 16th century a change was experienced, and simplification was found in the degrees of music. The late Renaissance era was the grandest and most impressive era for music. To justify it an article was published that states that the years 1534 to 1600, were the best years for Europe as an impressive style polychoral were developed that gave some of the sonorous and grandest music compositions of that time. This music composition spread all over the Europe in the coming years. A group of composers Roman School were found in the chapels and composed the church music in Rome. This group won a lot of fame during counter-reformation. This was the time when the intense emotional expression was given a form of music and song text. So over all the authors justify the change of music trend that took place in the Renaissance era.   Changes are an important aspect of all the approaches. Renaissance saw that how the music composers moved away from biblical, academic, numerical, symbolism elitism into immediacy and simplicity. The changes were enjoyed by the masses. The rebirth of classical Roman and Greek ideas gave composers newness and creativity through the variations in the music within the Motet, the chanson, and the cycle mass (Bevington 2012). Though difficulties were found when defining the beginning of the Renaissance, the clear definition included the birth or rebirth of music. Performers started using more and more instrument in their performance, as it was in the text form and easy to recognise, improvise, and rectify. The change that came in the style and trend that was being followed was the increase of reliance on the interval of the third as a consonance and it became one of the most pronounced features of early European art music in the Renaissance time. The music of Renaissance period and changes that took place in that time can be broadly divided into three sections (Brooks 2016). Those sections were the Early Renaissance music that happened in the year 1400-1467. The years of early Renaissance music saw a change in complexity. More simplified music was developed, and performers started giving importance to the instruments in the composition of the music. The second part was the mid-Renaissance period that was from 1467 to 1534. This was the time when the genre of scared music was in peak and music was performed in the churches and courts. This was also the time when music which was taken only for the elites was introduced to the masses. The compositions that were getting composed were for the masses (Bujic 2004). Though again a bit of complexity in the compositions was developed during this era, but again by the end of 15th-century, simplified complexity was found in the notation of music compositions. This was also the time when instruments became an important part of music. It found a new identity as the printing brought attraction towards it. The third part of the Renaissance music was the late Renaissance music era which was from 1534 to 1600 this was the time when music was at its best. Beautiful compositions were getting developed, and more and more talented performers busied themselves in creating grandest pieces of music using vocal and instruments. The changes were not only limited to the use of instruments and development of the instrumental music. There was a change in style and trend of the music; the genres were different, and theory and notation also changed. The change in style and trend was that Polyphony which was in vogue in the 12th century again its publicity increased in the 15th century. It became the elaboration of highly independent voices. The modal characteristics of Renaissance music began to change and towards the end of the period it broke-down and the use of root motions of fifths increased. This turned to be the defining characteristics of the tonality. The genres used in the Renaissance period were the mass, the madrigal spiritual, he motet, and the laude. Secular music widely spread with a variety as printing made the distribution of music easy and made the survival of music easy. Frottola, chanson, and madrigal were the few voice forms that were included in the secular music. Along with them secular vocal genres included the canzonetta, the villanelle, the villotta, the villancio, and the lute songs. Purely instrumental music was recorded and included consort music, other instruments, and dances. The common genres were the ricecar, intabulation, the toccata, the canzone, and the prelude. When used for dance the instrumental ensembles might play a pravane, a basse danse, an allemande, a galliard, or a courante. Towards the end of the era, the monody, the intermedio, and the madrigal comedy were seen that was the dramatic precursors of opera. In theory and notation there were many changes that took place. The notations of the Renaissance period were under-perspective by the current standard. The translation of those notations in the modern form distorted the original openness of the notation. The compositions of the Renaissance era also saw the change and notation were done only in individual parts in which score were very rare, and the use of barlines was not there. These were the major changes that were found in the mu
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